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Multiple reads per audition?

 
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Erik Sheppard
Voice Talent
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Joined: 02 Mar 2005
Posts: 1317

PostPosted: Tue May 22, 2007, 23:12 (GMT)    Post subject: Multiple reads per audition? Reply with quote

I have a question: I usually do at least two partial reads on my auditions to try and give the seeker a choice of styles. I tell them how many reads there are in the comments section in hopes that if they don't like the first they will keep listening till the second (sometimes third). Do you guys do the same or do you think it is just annoying for the client? Does it maybe seem like I lack confidence in my interpretation? Just wondering if anyone had an opinion.
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Joe J Thomas
Voice Talent



Joined: 16 Nov 2004
Posts: 1521

PostPosted: Tue May 22, 2007, 23:16 (GMT)    Post subject: Reply with quote

I'll bet the crowd is split on this issue.

As for myself, I normally only do one read. Dry voice only, with a short slate on the front. The thinking being to give the client the easiest way to hear my voice and interpretation in the shortest amount of time.

My 2 cents,
Joe
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Deby Cedars
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Joined: 23 Jan 2006
Posts: 1482

PostPosted: Wed May 23, 2007, 01:18 (GMT)    Post subject: Reply with quote

When I auditioned for my agent he had me read each one 3 different ways. Personally I think it would depend on the script.
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Robert Jadah
Voice Talent



Joined: 17 Jun 2005
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PostPosted: Wed May 23, 2007, 02:22 (GMT)    Post subject: Reply with quote

I'm with Joe. A serious, pro Seeker wants to hear your interpretation and take on their text.
Three versions might indicate you have no idea how the thing should be delivered.

And any client worth their salt can project your voice to slightly different variations.

Which all means that at voice sites such as, it doesn't really matter which way you go, although three dry seems excessive, and three produced seems like over-kill.

Waffle On!
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Ronald T Robinson
Voice Talent



Joined: 22 Apr 2004
Posts: 1008

PostPosted: Wed May 23, 2007, 15:09 (GMT)    Post subject: Reply with quote

Unless there is a radical departure - one read from another - the effort is hardly worth it.

Besides, instead of going through 183 reads, the Seeker will be going through 184.... maybe.
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Jim Feldman
Voice Talent



Joined: 12 Oct 2004
Posts: 77

PostPosted: Wed May 23, 2007, 17:31 (GMT)    Post subject: Reply with quote

on auditions i usually give one read. if they don't like my voice they probably won't listen through the first read anyway.

but for VO jobs i land, i always give 2 or 3 different reads. maybe one of the reads is exactly how the writer envisioned it, or maybe one of the reads is better than how the writer envisioned it. even if i'm recording in a session at their studio, i would usually ask if there's time for one more read.

it gives them a variety to work with... they can mix and match lines from each version.
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Caryn Clark
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Joined: 27 Mar 2005
Posts: 1000

PostPosted: Wed May 23, 2007, 20:13 (GMT)    Post subject: Reply with quote

For voice sites, I do one read, no slate, dry (edited for pops, clicks, breaths). I don't think they'll listen long enough to hear two... and they likely aren't reading your comments either.

For agents, I generally do one, sometimes two... always slated unless they request otherwise.

Caryn

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Maya Kuper
Voice Seeker



Joined: 04 Oct 2006
Posts: 97

PostPosted: Fri May 25, 2007, 01:36 (GMT)    Post subject: Reply with quote

Deby Cedars LMT wrote:
When I auditioned for my agent he had me read each one 3 different ways. Personally I think it would depend on the script.


It absolutely depends on the script. Specifically, on the length of the script. If it's a :30 or longer, no more than one read unless they specify they want to hear an alternate read, and only then if you're doing a significantly different voice.

If it's just a one- or two-liner, you're almost always welcome to submit two or three reads one after the other in the same file.

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