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Not-quite-newbie seeks demo feedback...

 
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Matt Prather
Talent and/or Voice Producer



Joined: 19 Feb 2007
Posts: 63

PostPosted: Fri Feb 23, 2007, 00:47 (GMT)    Post subject: Not-quite-newbie seeks demo feedback... Reply with quote

Hi, there!

So why "not quite newbie"? Well, 2 reasons: (1) I also work as a VUI Designer, so I've coached voice talent for years, (2) because I worked in the VO biz a looooooooong time ago (roughly when the Flintstones were still using the bird beak to play the granite platters on the Victrola), but I've been away for quite a while --- and everything has changed so much, I feel like a newbie, especially since I don't have a sweet PSA gig or station affiliation any more... Sad

At any rate, I'd love some feedback on my Commercial/Character demo. I'm even thinking I might need to tease out the various parts and assemble a dedicated Commerical version and a dedicated Character version (also have Narration, IVR/VUI, and Spanish-language demos). The producer didn't think it was necessary, but I'm not sure I agree....

Thoughts? Thanks in advance! --Matt



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Scott Pratt
Talent and/or Voice Producer - Voice Seeker



Joined: 16 Jul 2006
Posts: 6

PostPosted: Fri Feb 23, 2007, 03:33 (GMT)    Post subject: Reply with quote

You have a great tone, you have "warm and reassuring" totally wrapped up...I agree that splitting into separate commercial/character demos would be a good idea, as together, it seems a little long. I especially liked the hospital spot (delivered a baby at 25 weeks, etc), great read. Overall (from a real newbie, so for what it's worth), good job!

Scott
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Matt Prather
Talent and/or Voice Producer



Joined: 19 Feb 2007
Posts: 63

PostPosted: Fri Feb 23, 2007, 23:45 (GMT)    Post subject: Thanks, Scott! Reply with quote

Well, thanks, Scott --- appreciate that, although my friends would probably characterize me as anything but "warm and reassuring"! LOL

Anybody else? C'mon, I can't believe there are no opinions out there, one way or the other. What's good about this, what's not so great about this? Should it be reordered, chopped up into commercial vs. character, chopped up into individual segments, or.......just chopped up?!

Bring it on, I can deal with it --- after all, I'm warm and reassuring! Wink

--Matt
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Robert Jadah
Talent and/or Voice Producer



Joined: 17 Jun 2005
Posts: 2627

PostPosted: Sat Feb 24, 2007, 00:04 (GMT)    Post subject: Welcome Matt Reply with quote

That was fun, Matt...a nice trip through Voiceland.
You have some nice chops.
As a general demo, however, I'd question its usefulness.
It may - may - be a good presentation demo when trawling for an agent.
But, I mean, if you pop that in as a generic answer to a posting for a medical Power Point presentation, the client's going to hit that STOP button fairly quickly.
Firstly, you must separate the character stuff from the commercial stuff.
This ain't Carnegie Hall. And keep in mind that the character stuff is very, very, very minor.
And I did detect a common - and oftimes fatal - deep-voice affliction (which I share) that I term Vocal Narcissism. We can be so impressed with our own rumblings that we forget to BE THE TEXT.
It disconnects the voice from the listener...bringing us back to the Carnegie Hall image.
There is also a sing-song cadence to your delivery. I take flack for a similar style, but consider it more a signature tone than a flaw. It will be remarked upon, however.
You have a warm elegance; an articulate class.
But I think you're a ways away from bringing it to the pedestrian copy with which V123 abounds.
Put your best commercial snippets together. Keep them short. Run the whole thing some :60.
I know we'll be hearing you around.....
Voice On
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Matt Prather
Talent and/or Voice Producer



Joined: 19 Feb 2007
Posts: 63

PostPosted: Sat Feb 24, 2007, 00:36 (GMT)    Post subject: Re: Welcome Matt Reply with quote

Robert Jadah wrote:
That was fun, Matt...a nice trip through Voiceland.
You have some nice chops.
Thanks, Robert. Coming from someone whose voice I tremendously admire, I really appreciate that a lot!

Robert Jadah wrote:
Firstly, you must separate the character stuff from the commercial stuff. This ain't Carnegie Hall. And keep in mind that the character stuff is very, very, very minor.
Yeah, it's been a long time since I was onstage at Carnegie --- and I was singing at the time, not speaking! LOL But it was fun, I can tell you... *sigh* The character gigs have been mostly one-offs for parties or things like that, has that been your experience, too? Miserable pay, but at least they (sometimes) feed you... Would like to get more game-character gigs; they are becoming more high-profile out here in the Bay Area.

I'm still not sure why the producer that put this together for me --- a very highly respected name in SF --- thought that combining Commercial and Character (with a separate one for Narration, including a Spanish-language IVR gig I did) would be a good idea, but more and more I'm thinking it's not! I'm going to tease them apart and repost on my Web site.

Robert Jadah wrote:
And I did detect a common - and oftimes fatal - deep-voice affliction (which I share) that I term Vocal Narcissism. We can be so impressed with our own rumblings that we forget to BE THE TEXT. It disconnects the voice from the listener...bringing us back to the Carnegie Hall image.
I honestly do think that's an artifact of being an opera singer. The style can become more important than the text itself (which often doesn't make much sense, anyway!) in opera, and you can and do become enamoured of the fact that you're simply able to blast your way through a 75-piece orchestra on a low F. Laughing (Doing Gilbert & Sullivan right now also has me thinking in hyper-stylized terms, which can distance you from the listener...)

Robert Jadah wrote:
There is also a sing-song cadence to your delivery. I take flack for a similar style, but consider it more a signature tone than a flaw. It will be remarked upon, however.
I'm aware of it, but like you I've never considered it a real detriment. Being a singer and a composer, I hear everything in terms of melody, so I guess it just comes out in the delivery.

Robert Jadah wrote:
You have a warm elegance; an articulate class.
Thanks very much; that's kind of what I was hoping to project -- hence the "backstage in the tux" photo instead of a more generic headshot.

Robert Jadah wrote:
But I think you're a ways away from bringing it to the pedestrian copy with which V123 abounds.
Not sure what you were going for here, Robert. Do you mean I need to "dumb it down" for the bland copy that predominates here, or that I have some work to do to really get the chops for this stuff, or.........?

Robert Jadah wrote:
Put your best commercial snippets together. Keep them short. Run the whole thing some :60. I know we'll be hearing you around.....
Voice On
My thoughts exactly --- thanks for your very valuable input! Best, Matt
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John Bigl
Talent and/or Voice Producer



Joined: 13 Aug 2005
Posts: 905

PostPosted: Sat Feb 24, 2007, 00:56 (GMT)    Post subject: very nice Reply with quote

nice depth and versatilty, Matt ...

Welcome to The Forums...
Be sure and check in at Hola, Hello etc etc...

Can you do a nice Wagner aria for me?? I'll edit next to some Kiri Te ....

Smile

Be Well
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J.S. Gilbert
Talent and/or Voice Producer - Voice Seeker



Joined: 09 Nov 2003
Posts: 629

PostPosted: Sat Feb 24, 2007, 20:06 (GMT)    Post subject: my 2 cents Reply with quote

Two things going for it. I can hear a degree of acting ability and most of itsounds like things you might be cast to do.

Specifics - I think you can pull out a nice guy warm read and I think you can do a sracastic guy read well. If you combine them, there needs to be some sort of action taking place that would cause you to go from one to the other. Starbucks to me has a hint of "smarmy' at places that doesn't fit the copy. I would also take out the line "this is hogwas of course". it makes me lose my suspension of disbelief.

The piece about safely delivering a baby could have more of a proud sound ot it and the end line I think you can play around a whole lot more. I think that when you said thatline you didn't have a clear sense of what you were trying to motivate the listener to do. Are you superior? Are you trying to get them to seek work opprotunities at your place of employment? It would also be better if you think of a very specific individual to say it to.

Church lady thing and some other stuff should be cut down considerably. It represents less than 1/5 of 1% of what you might get hired for on here.

Vocal quality and tonality is very good and so is your overall pacing and comedic timing. My thought is that given some time and the right copy, youo might be able to develop a very signature read like Ben Stein or John O'Hurley. In your particular case I think your money voice is rather evident. I wouldn't hire you to do annoying high pitched bad imersonations of Mrs. Doubtfire.
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Matt Prather
Talent and/or Voice Producer



Joined: 19 Feb 2007
Posts: 63

PostPosted: Sat Feb 24, 2007, 21:10 (GMT)    Post subject: Re: my 2 cents Reply with quote

J.S. Gilbert wrote:
Two things going for it. I can hear a degree of acting ability and most of it sounds like things you might be cast to do.

Specifics - I think you can pull out a nice guy warm read and I think you can do a sarcastic guy read well. If you combine them, there needs to be some sort of action taking place that would cause you to go from one to the other. Starbucks to me has a hint of "smarmy' at places that doesn't fit the copy. I would also take out the line "this is hogwas of course". it makes me lose my suspension of disbelief.

The piece about safely delivering a baby could have more of a proud sound ot it and the end line I think you can play around a whole lot more. I think that when you said thatline you didn't have a clear sense of what you were trying to motivate the listener to do. Are you superior? Are you trying to get them to seek work opprotunities at your place of employment? It would also be better if you think of a very specific individual to say it to.

Church lady thing and some other stuff should be cut down considerably. It represents less than 1/5 of 1% of what you might get hired for on here.

Vocal quality and tonality is very good and so is your overall pacing and comedic timing. My thought is that given some time and the right copy, youo might be able to develop a very signature read like Ben Stein or John O'Hurley. In your particular case I think your money voice is rather evident. I wouldn't hire you to do annoying high pitched bad imersonations of Mrs. Doubtfire.


Thanks, JS. I can see how the Starbucks might come off as a bit smarmy out of context (again, the producer's/director's choice, not mine). The original, full copy had this poor shmuck having a horrible day that was suddenly made wonderful by his Starbucks latte --- hence the slight chuckle on "...purveyors of coffee, tea, and sanity." Same idea for the "hogwash" thing --- the original was a wine commercial where the whole point was that you could buy this inexpensive but fantastic wine and impress your date by throwing around a bunch of meaningless phrases, because the wine was so good. The idea here was to show ability to abruptly change characters or reads. No go?

The hospital thing is more along the lines of, "This is what we do in a typical workday. This is why you should come to our hospital instead of any other." The director loved this one, so I'm especially curious as to why you think it doesn't quite come off....

The character stuff? Mostly just to show that I can do it. The one you're referring to is actually a scripted part, believe it or not. It's not an invention of mine (and wasn't in any way related to Mrs. Doubtfire; never even thought of that...); it comes from a theatre part I did that also made it onto an on-air broadcast. Primarily just to show that I don't have to only rumble around in the cellar; I do have a good strong falsetto, too, if needed. But you don't think it works, huh?

--Matt
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J.S. Gilbert
Talent and/or Voice Producer - Voice Seeker



Joined: 09 Nov 2003
Posts: 629

PostPosted: Sat Feb 24, 2007, 21:53 (GMT)    Post subject: defensive are we? Reply with quote

As you can see, I liked your demo overall. You were asking for ways it can be improved. Were you asking about the demo in general or were you asking someone with over 3 years experience on V123, who has both hired and been hired through here what their opinion of the demo was for it's use in marekting yourself here?

I have opinions both ways.

Honestly I don't care about who you did the spot for and/or why or whether it was real or not. I'm comenting on it's overall sound to me as it would apply to someone considering hiring talent would judge it.


In particular, my comments were designed to appeal to the bulk of individuals who might look for talent on V123 today.
You are better off with 30 seconds of that which might appeal to the bulk of people looking for talent.

As for it's use in a broader context. If you only let me hear 8 seconds of something you did, then that is what I will judge you on. I'm not going to call you up on the phone and ask you what the rest of the spot sounded like or what it's context was. to me, the voice was nice and in it's context, which is the onyl friggin thing you will be judged on it didn't fly for me.

As for your hospital spot,just as voice talent don't need any background or training these days and also have their good and bad days, so do directors. Personally I don't think that what you say there motivates the listener to any call to action. If this was a piece that highly relied on it's visuals which made it more effective, then it loses something by not having them. As a voice talent, I drop my everything else hat for the most part and do what I'm being told. If I'm asked for a critique, I try to examine things utilizing the sum total of my experiences. I personally beleive I could direct you better on the closing line and then I must assume that other directors can too. If you recorded that piece at The Annex in Menlo Park, then I probably know the director. I don't mean to knock anybody and I don't know what the client wanted, etc. I do know that on a demo you don't have to satisfy clients or stick to the script.

Honestly, I thought that most of this stuff was produced for you by a v.o. teacher as part of a produced demo, and was not paid work. Since you tell me that is not the case, then I believe you. The fact that it sounds as though it was mostly all done on the same mic with identical pre, eq and compression (aside from one or two pieces) is probably due to the fact that I'm an idiot and don't know what I'm talking about.
In which case, you should probably disregard anything I have to say.

Matt, you're in my market- I work Santa Cruz to Sacramento and I'm in S.F. I work regularly for Tellme, Be Vocal, Pearson Educational. I'm on several boards of directors for Advertising and Gaming Industries and I was the Bay Area ADDY Awards Chair for 2005 and 2006. I write about advertising and audio for magazines and I'm also pretty busy as a v.o. talent.

Just thought I'd clarify who you're getting the critique from.
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