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Colin Campbell
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Joined: 27 Feb 2006
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PostPosted: Thu Apr 26, 2007, 20:02 (GMT)    Post subject: Reply with quote

OK, I've got a minute. The difference between a gate and a downward expander....

A gate is like a real "gate." Open or closed or in the case of audio... on or off. When you talk the gate is open. When you stop the gate is shut. Problem is you notice that too much. It sounds funny. I hear a lot of that effect on here and I don't like it.

A downward expander takes quiet sounds and makes them quieter. It is a lot more elegant.

Most mic processors use a combination of downward expansion and compression. What this means is that there is some "threshold" level, say -10 db. Above that level the audio is compressed. Below that level the audio is "downward expanded." Then the overall level is increased with what is called "make up gain." So the loud gets louder and the quiet gets quieter.

Make sense?

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Bob Bradley
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Joined: 13 Jul 2005
Posts: 74

PostPosted: Thu Apr 26, 2007, 20:09 (GMT)    Post subject: Reply with quote

Here's another note on removing breaths. If you highlight the gap between phrases where your breath is heard, and then use your Amplitude effect to drop it waaaay down low, when you play back your file without the breath sound, it's going to sound like the gap between phrases is too long (because of the silence). Therefore...you can actually snip a piece of silence out of that gap, and your pause will still sound totally natural. Simply silencing your breaths won't sound right...you have to compensate for the extra silence you've added to the read by snipping a little (not all of it) out.

Bob
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Amy Snively
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Joined: 04 Jul 2005
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PostPosted: Thu Apr 26, 2007, 20:13 (GMT)    Post subject: Reply with quote

That's what I do. I take the breath down low, and often can snip a little out. You can feel, even hear a little, that I am human and breathing, but it's not a big distracting gasp.
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Caryn Clark
Voice Talent



Joined: 27 Mar 2005
Posts: 1000

PostPosted: Thu Apr 26, 2007, 20:19 (GMT)    Post subject: Reply with quote

Wow, do I have a lot to learn. This thread is very helpful. I have to play around and see if I can do these things.

THANKS!

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Alan Simmons
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Joined: 25 Mar 2006
Posts: 220

PostPosted: Thu Apr 26, 2007, 20:39 (GMT)    Post subject: Reply with quote

This is one of the most helpful threads (other than the VO Tips series) I've read. I struggle with the little things sometimes. I love learning this stuff!

So, on the downward expander, when you adjust (increase) your make-up gain, doesn't it just bring up your quiet background again? Or is it such a subtle adjustment that it won't affect it that much?...

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Colin Campbell
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PostPosted: Thu Apr 26, 2007, 20:54 (GMT)    Post subject: Reply with quote

That's a great question Alan. Had to think about that. My answer would be that the make-up gain is not enough to overcome the expansion. I'll have to go back and read my Symetrix manual and see what they say about that.
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Don Randall
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Joined: 05 Feb 2005
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PostPosted: Thu Apr 26, 2007, 22:01 (GMT)    Post subject: Reply with quote

Quote:
So, on the downward expander, when you adjust (increase) your make-up gain, doesn't it just bring up your quiet background again? Or is it such a subtle adjustment that it won't affect it that much?...


A downward expander only affects those sounds below whatever threshold you select for that operation.

A compressor only affects those sounds above the selected threshold you select for that operation.

Makeup gain should be acting on the compressed signal and at a threshold above that used for the downward expander. If your makeup gain acts on the entire signal, you need to be sure the signal is clean before any gain is applied. In the event you have extraneous noise, like room tone, that noise will be amplified by just a little in some places and by a whole bunch in other places - meaning any noise filter will have a very difficult time cleaning up that kind of a mess.

A noisegate and a downward expander are basically the same thing. The gate silences below the chosen threshold and downward expansion attenuates (suppresses, reduces, diminishes) below the chosen threshold.

Noise gates turn on and off, so, any extraneous room noise will turn on and off when the gate opens and closes. The noise may be silenced momentarily in those gaps between sentences - but it will reappear again when the next word is uttered. Do you really want to hear that noise behind your audio?

If the noise is constant, you may be able to remove it with whatever denoiser you have available to you in whatever digital editing software you are using. Some of the denoising - or, Noise Filtering - tools that come natively in most editing software are little better than nothing. Some do an okay job. Others actually work very well. Some denoising tools are relatively easy to use and others require several steps and a "guess and hope you get lucky" approach. There are noise filter plug-ins that can be bought and used with your editing software, some editing software will accept and support DirecX and others will accept and support VST, for instance - how much do you want to spend?

I have a terrific Noise Filter that works very, very well. And I use it. That's what it is for.
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Todd Ellis
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Joined: 27 May 2005
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PostPosted: Sun Apr 29, 2007, 18:21 (GMT)    Post subject: Reply with quote

George - if you haven't downloaded the "Gain Applet" for the Blue - it might help from the git-go.

http://www.bluemic.com/update.php

btw - i recommend this for anybody using the Blue Snowball - really helped me in my remote set-up.

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Heather Ruby
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Joined: 08 Sep 2006
Posts: 188

PostPosted: Tue May 01, 2007, 04:30 (GMT)    Post subject: Reply with quote

Wow. I've learned a lot on this thread. Thanks, guys. It's obvious I'm not doing enough tweaking to my audio, and in fact only use a little preset EQ button in my Mac garageband that my Mac guy helped me set up. If I place my filter and mic correctly, I minimize any pops but still occasionally overmodulate.

I'm just waiting patiently til July when Adobe FINALLY makes Audition for Mac available in their new Creative Suite.

Todd, I've heard great things about the Blue snowball. I got this Samson USB mic fairly cheap, and its been working great.

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Todd Ellis
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PostPosted: Tue May 01, 2007, 11:55 (GMT)    Post subject: Reply with quote

when you say you "delete the extra space" i hope you don't mean you're cuttinhg out "breath sounds". if you delete them completely your pacing will be off and the end result will sound choppy. instead - if you have breath sounds apply a -12 to -14db cut. this will reduce the sounds while leaving the normal pacing of the script.

jmho - but - normalizing is ok - but make sure your audio is clean - otherwise you are just amplifying everything - good, bad AND ugly. better to get what you want going in (level-wise) try to peak around -6db when you record and you should be fine.

most of the clients i work with want dry audio - everything set to 12 O'Clock, no EQ no compression, no nuthin' ... your mileage may vary.

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George Karnes
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Joined: 26 Dec 2006
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PostPosted: Tue May 01, 2007, 13:11 (GMT)    Post subject: Reply with quote

Todd-
Thanks.
What I mean cut out is long pauses and parts where I say the same line over and over. I have started applying 6-10DB cuts as you mentioned.

On that snowball app, doesn't the little switch on the back of the mic do the same thing?

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Heather Cooper
Voice Talent



Joined: 25 Apr 2006
Posts: 472

PostPosted: Tue May 01, 2007, 16:19 (GMT)    Post subject: Reply with quote

Fabulous, fabulous thread!!! I have learned so much!!

Thank you, thank you, thank you for all of your posts!!! respekt

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Todd Ellis
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Joined: 27 May 2005
Posts: 817

PostPosted: Tue May 01, 2007, 18:24 (GMT)    Post subject: Reply with quote

George - no it doesn't. the switch on the back changes the pattern. download the applet - you will see a HUGE difference, i promise.
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Maggie's Voice
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Joined: 12 Dec 2005
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PostPosted: Fri May 04, 2007, 21:50 (GMT)    Post subject: Reply with quote

...

Last edited by Maggie's Voice on Tue Nov 20, 2007, 00:35 (GMT); edited 1 time in total
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Joe J Thomas
Voice Talent



Joined: 16 Nov 2004
Posts: 1521

PostPosted: Fri May 04, 2007, 21:58 (GMT)    Post subject: Reply with quote

Maggie's Voice wrote:
Also, someone else posted about "noise filters". I use Sound Forge 8.0 (Studio version) and don't see any built-in noise filters (unless I missed it?) Can anybody recommend any good ones that won't cost me my firstborn?

Hi Maggie,

I also use SoundForge, but in addition, I use Magix Audio Cleaning Lab. It does a superb job of eliminating noise.

It works best if it's a constant noise (fan, buzz, hum, etc). If I recall, it's under $40 to buy.

So, I record in Magix, export to WAV, import into SoundForge, tweak a bit, and save as an MP3. Sounds like a lot, but there are some easy tricks that make it a pretty simple process.

The noise cancellation works by taking a sample of the noise, then masking it out. It's pretty intelligent and doesn't cause too much loss or distortion. For me, it gets my noise floor down to about -60dB.

By the way, if you get a chance, please post an introduction in the "Hello" forum. We'd love to know a bit more about you and your goals Wink

Hope this helps,
Joe J Thomas
www.JoeActor.com
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